I wonder if the piano soundboard could be slightly distorted, wavy or something, maybe some of the distort filters--in order to not look quite so stable. Seems like music is more organic than that. Is there a way to intergrate a closeup of the felt pad striking the string, or some other cue as to the fact that we are viewing a piano. i like the direction of abstraction you are going for in the last image (most recent i am assuming?) Part of me is locked into the image of sound waves or echoes or something that resembles sound.
A rehetorical question I always pose is (where is the focal point) and does it merit the attention. Does it pay off the viewer with a concept as well as a well designed (integrated) message/image?
Hi Elizabeth
ReplyDeleteSome of your direction reminds me of Kandinsky and his direction with abstraction and non-objectivity.
https://www.google.com/search?q=kandinsky&safe=off&espv=2&source=lnms&tbm=isch&sa=X&ei=B-6hU4OaD42hsATVvYDIDg&ved=0CAYQ_AUoAQ&biw=1077&bih=702
I wonder if the piano soundboard could be slightly distorted, wavy or something, maybe some of the distort filters--in order to not look quite so stable. Seems like music is more organic than that. Is there a way to intergrate a closeup of the felt pad striking the string, or some other cue as to the fact that we are viewing a piano. i like the direction of abstraction you are going for in the last image (most recent i am assuming?) Part of me is locked into the image of sound waves or echoes or something that resembles sound.
A rehetorical question I always pose is (where is the focal point) and does it merit the attention. Does it pay off the viewer with a concept as well as a well designed (integrated) message/image?
Very nice start here.
-ed